"I'm really concerned that our kids' parents don't know where they are." "I'm concerned that it is going to be a trend that we are stuck with," Thompson said. When he caught up to them, they denied being involved. Thompson even followed one group of what he believes are 12 year olds after witnessing them target his neighbor. "We were in bed and heard this huge pounding on the outside of the house," Thompson said. Thompson's Ring camera caught kids knocking and running from his door several times over the past few days. Sign up for NBC Bay Area’s Housing Deconstructed newsletter. “Her trying to take a fry and me slapping it away is very much playing into that sense of humor.Get a weekly recap of the latest San Francisco Bay Area housing news. “In the first video, my wife tried to take a fry - in the UK, we call them chips,” he says. “Things like comedic timing or the way that characters are introduced and subtleties in the way that they interact with each other.” He often recruits his wife to act in videos with him. “It looks really beautiful, the way he puts shots together, but I think there’s more that you can pull from his films,” he says. “I was like, let me make a video because it’s just quite fun: like a fun pastime as we go for lunch.” The resulting 21-second TikTok has been viewed more than 7 million times and earned him a paid partnership with Adidas for another Anderson-style post.Īfadi tries to challenge himself to go beyond just copying Anderson’s shots. “I was just going out to lunch,” he says. When he spotted a vintage car parked outside a restaurant, he thought it fit the Anderson vibe and decided to try the trend. He had just seen the French Dispatch when friends and followers started sending him Williams’ train video. He started with the Grand Budapest Hotel. He said people in the comments told him they looked like Wes Anderson, which got him watching Anderson’s films for the first time in his life. Keith Afadi, 29, who’s based in the UK, has been working in digital marketing for almost a decade and recently began posting short films about everyday life to his page. The romanticization of the moment anchors the work of other Anderson fans on the app. So I decided I should romanticize this moment or make the most of this moment.” But I didn’t want to end this really great trip on such a sour note, and I don’t want to be like, I’m a victim of the world. “I was tired and I wished I was with my family, and there I was on this train. “I wasn’t super pleased that I had to go to work,” she says. She was heading back into the city for an early work shift on the Saturday before Easter. It’s been viewed 12 million times and counting.Įvery Awful Thing Trump Has Promised to Do in a Second TermĪccording to Williams, 26, she was inspired to make her video in a moment of feeling bummed. There’s also a shot of a title card with text appearing line by line: “The first train / Along the Shoreline East / to Grand Central Terminal / 6:45 am.” Its score is a clip of “Obituary” by frequent Anderson composer Alexandre Desplat, a plucky harpsichord instrumental from the 2021 movie The French Dispatch. The clip is 24 seconds long and includes nine shots of the train interior and Williams plus closeups of her shoes, her notebook, her ticket. It captures Williams on a commuter rail journey from her folks’ house in Niantic, Connecticut, to New York, where she lives. The latest upwelling of Anderson videos can be traced to Ava Williams, who on April 8 posted a video that’s become known as Girl on a Train. These aren’t the first Anderson– inspired videos to crop up on TikTok, where fans are drawn to the familiar, quirky style of the videos, but few of them reached the millions of viewers these latest creators have. But in one lovely corner of TikTok, people are making Wes Anderson fan videos that are capturing people’s twee little hearts. That’s easy to forget amid the all-caps outrage, concern trolling, and clout-chasing. These are the Wes Anderson videos of TikTok. The tones are sepia, the music orchestral, the title cards whimsical, and the faces deadpan. A man in a woodworking apron holds a power drill in front of his torso like it’s a trophy as the garage door behind him rises. In an up-close shot of a plated burger, a hand reaches for a french fry, only to be gently slapped away. A woman stands on a train platform, her unsmiling face framed against the sky by the open door of a rail car.
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